Chomsky signed a letter about free speech and something called “cancel culture“, which has prompted a small social media wave of responses.
There is a good piece by Jonathan Cook about how focusing on Chomsky’s signature misses the point. But I am going to focus only on Chomsky here.
My argument: Chomsky’s most powerful message is anti-imperialism. Containing that message has been the preoccupation of the propaganda system since the 1960s.
In 1973, they shut down a whole company and pulped the print run of his book with Ed Herman, Counter-Revolutionary Violence.
Mostly, though after the peak of protests, he was just driven out of the mainstream. He published with activist publishers and the alternative media.
Like Z Magazine and ZNet, one of the principals of whom was Michael Albert, who’s now… a podcaster.
Beyond marginalizing him, they also smeared him. Because he compared Indonesia’s Timor massacres to Cambodia massacres, they called him denialist.
A French publisher slapped a free speech essay he wrote on a holocaust denier’s book, and they smeared him about that.
In the 1990s, a new generation of people discovered Chomsky on the web. The web was different then. Not fully sealed up by the tech giants.
Chomsky’s influence grew and some of the alternative media also grew and became mainstream or close. By the time of the Afghanistan War 2001, he could no longer be marginalized.
Indeed it became a good careerist move to make a showy denunciation of Chomsky in the mainstream. It worked for Samantha Power, for example.
A hilarious 2005 interview by Emma Brockes in the Guardian resulted in a very extensive corrections page that was basically a retraction.
Johann Hari, who went somewhat downhill and then turned around and did some good work since, invented a comment by Chomsky at a luncheon.
These are just off the top of my head and intended to reveal the particular way that Chomsky was handled by the mainstream in the 2000s: try to introduce inaccuracies and falsehoods; prove your liberal credentials by denouncing Chomsky the leftist.
Chomsky’s influence didn’t stop, but the whole media ecosystem that he analyzed has changed. So has the strategy for containing him.
The strategy today is to select the views that he holds that are closest to the mainstream and amplify those, while de-emphasizing the anti-imperialism.
That’s what the Intercept does when it sends someone to interview Chomsky on how Biden is the lesser evil.
That’s what the new “cancel culture” petition is about.
Yes, Chomsky is a free speech absolutist, he’s a lesser-evilist on electoral politics, he’s a two-stater on Palestine, he broadly prefers nonviolent strategies, and is critical of every state, including those targeted by imperialism.
But can find those views everywhere in the mainstream. They are not why people admire Chomsky and they are not why imperialists hate Chomsky.
Activists in every anti-war movement in the US since the Vietnam war have relied on Chomsky’s analysis and arguments; including movements against Israel’s wars in Lebanon & Occupied Palestine.
Chomsky believes in challenging the reader or audience: in Canada, he talks about Canada’s crimes, because it’s cowardly to denounce crimes you can’t affect while doing nothing about crimes you can affect.
There’s much more. My point: Chomsky is a proven person of principle, impossible to deny. The Biden people, the “cancel culture” people, they want to use that to advance their agendas.
As they do so, they want you to forget the anti-imperialism that is what Chomsky is really about and has been about for 50 years.
This is just the 2020 iteration of the campaign to contain Chomsky’s anti-imperialism.
Whether you’re disappointed that Chomsky signed that letter or newly concerned about cancel culture because Chomsky signed the letter, consider this option – read enough of his work to get a sense of what it is about, and if you like his ideas, principles, and methods try to assimilate them into your world view.
Facing the wave of growth and success of political and social movements of the ultra-right, it is necessary to ask: are we witnessing the rise of a series of fascist movements in many parts of the world as occurred in the 1930s? Or is fascism an unrepeatable historical phenomenon limited to the period between the two world wars?
Some consider that fascism only arose to prevent the victory of socialist revolutions or to stop the communists, but “fascism did not triumph when the bourgeois was threatened with proletarian revolution, but rather when the working class was weakened and put on the defensive.” The role of fascism was not to overcome the socialist revolution but to “erase the conquests of reformist socialism.”i
In Germany it was the social democrats that liquidated Rosa Luxemberg and Karl Liebnecht and stopped the communists fifteen years before the Nazi triumph. The Soviet Republic in Hungary was stopped by the invasion of the Rumanian army sent by the Liberal party. In Italy the occupations of the factories and the workers’ councils were stopped by the Liberal Party two years before the triumph of the fascists. Fascist propaganda insisted and insists always on a “communist threat” but for the past 90 years, capitalism has used the fascist “solution” to destroy reforms and human rights after the “communist threat” has been defeated.
What then is the difference between the Italian blackshirts, the German brownshirts, the Rumanian iron guards, the Ukrainian flagmen, the Hungarian arrow cross, the Spanish falange or the Croation Ustache – and today’s ultra-right parties?
All of the protagonists of European fascism of the last century professed a visceral hatred of Jews, expressed in extreme form in Germany, Ukraine, Romania and Croatia and culminating in the Holocaust. Today, by contrast, with the exception of Ukraine’s Svoboda, Hungary’s Jobbik, Greece’s Golden Dawn, the KKK and a few small neonazi groups, the majority of the global right is pro-Israel and supports the extermination of the Palestinians.
In general, on the xenophobic right, anti-Semitism has been replaced by Islamophobiaii, hatred of refugees, and particular racisms, like that expressed on the US right against Mexicansiii. In other aspects, however, despite its diversity, the 21st century ultra-right bears a growing resemblance to the European fascism of the 1930
. This is not coincidence. Fascism is a phenomenon specific to the crises of certain phases of the imperialist and capitalist order.ivvvi
Those who believe in the “end of history” – that colonialism is a thing of the past and capitalism is the final historical order – incorrectly discard the notion of a rebirth of fascism. The reality is very different. In this century so far, imperialist wars have destroyed Iraq, Libya, and Syria, all as a way of resolving the cyclical crises of capitalism. The recolonization of the Middle East is a fact. Colonialism was in retreat during the period that began with the fall of Nazism and ended with the US loss in Vietnam. It has returned with force in the past three decades.
To understand how fascism arises from the necessities of internal and external imperial wars, Hitler’s January 27 1932 speech to the industrialists at Dusseldorf is instructive. This speech convinced big business to support the Nazi solution.vii
Hitler explained that the defense of private property required a dictatorship like that of the Fuhrer. Because private property is the result of economic inequality and different classes of citizens, to defend private property it would be necessary to impose political inequality, hierarchy, and authoritarianism. Hitler explained that England did not just go to India sell its wares; it obliged India to buy them by invading the country. If the businessmen wanted the success of their enterprises, they had to support Nazism to conquer new markets and resources in the wider world and destroy the “Bolshevism” that was damaging the racial and national unity needed for victory.
In this speech, unusually light on Hitler’s characteristic constant attacks against the Jews, Hitler focused on “Bolshevism”: not just the need to stop it, but also to stop it from dividing the people and spreading a mentality opposed to the singular national interest. The businessmen applauded loudly for several minutes. Hitler’s program for big German business included a wave of privatizationsviiiix – and was only stopped by the fall of Nazism itself.
For Milton Friedman and the Chicago School to impose neoliberalism on Chile, it was not just necessary to prepare an elite of Chilean economists. It was also necessary to install Pinochet’s “Patria y Libertad” to impose the laws of the market.
Vilfredo Pareto, the economist considered by neoliberals as the precursor of their “libertarian” ideas, raged against strikes as the enemies of an economic optimum. He hated the worker’s movement’s taking over factories. He celebrated the ascent of Mussolini to power. Even though Pareto himself was not a fascist, the fascists made him a senator-for-life. In the first few years of his government, Mussolini followed Pareto’s prescriptions to the letter, destroying political liberalism, reducing state administration in favor of private enterprise, reducing property taxes, favoring industry, and imposing religious education.x The capitalists and neoliberal economists would prefer not to associate with fascists and repudiate their ideology, but they acclaim it when it is time to smash “Bolshevism” and go to war with other countries.
As it did 90 years ago, fascism today liquidates the gains of workers and collective rights, cleanses universities and schools, and promotes war. When the domination of transnational capital is not maintained merely by the laws of the market, it is maintained by direct violence. When institutional solutions are insufficient, the mass mobilization of one part of civil society is used against the rest.
Colonialism has strengthened. What is today called “extractivism” was once called “accumulation by dispossession”. It reigns throughout multiple parts of the world, an expression of the strength of colonial enterprises that have existed for centuries. It is the exact same primitive accumulation that occurred in the original phase of colonialism.xixii
In the 20th century, war was integrated with colonial enterprise and the destruction of competitor capital (as we saw in Iraq, Libya, and earlier in Yugoslavia) in a way that foreshadowed the destruction of local capital, the conquest of new markets, new investment zones and sources of land, minerals, gas and petroleum.
But imperialism, colonialism and war are not in themselves fascism, which is a mass movement based in the middle class and the unemployed, mobilized in diverse forms – including armed militias – to destroy workers’ rights and organizations and perpetuate war in the interests of transnational capital and landowners. In Latin America, the landowners always have their paramilitary bands at the readyxiii.
In contrast to other forms of authoritarianism, the success of fascism is guaranteed by the mass mobilization of the middle class against the “enemies of the nation”, be they Jews, Communists, Africans, refugees, Muslims, or Mexicans.
As the Nazi philosopher Martin Heidegger said, “ …it can accordingly seem that there is no enemy. It is then a fundamental requirement that the enemy be found, brought to light, or even created so that this stand against the enemy may take place… with the goal of complete extermination.”xiv
The state that persecutes the enemy, according to the theorists of nazism, is not merely the judicial institution, but the people’s Being intrinsically united with its leader (Heidegger). It’s not a state machinery, but the people organized by the nazi party organized through its Fuhrer that is the source of law (Rosemberg). It is not the law that establishes order, but the “movement” that imposes an order, from which the law springs(Schmitt).xv
This is why Gramsci, in his Prison Notebooks, presented the thesis that civil society is itself a form of the state. This makes the problem of emancipation more complicated and more dramatic. “Civil society could very well express violence and oppression not inferior to that of the state, and very unscrupulous besides, and it will tend to exercise this violence without obstructions since it has no concern with even the pretense of impartiality.”xvi
The idea of needing to attack an enemy was and is a part of an ultra-right wing strategy, with false information used to agitate about the fantasy of the enemy. The great theorist of what is now called “fake news” was the publicist of Siemens and the Reemtsma tobacco company, Hans Domizlaff, who began his application of marketing techniques to politics in 1932.xvii
According to Domizlaff, “people can believe in gross lies or, in any case, there can be found freedom for action if lies are openly told and obstinately maintained…xviii the masses cannot be educated, only domesticated, led, and voided.”xix
In the 21st century the role of enemy is assigned in Europe and the US to migrants, especially refugees or to “terrorist” Muslims. In Latin America it continues to be “communists”, the political left, as it was in the time of the Doctrine of National Security.
But more and more, in the north and in Latin America, LGBTQ communities are targeted, called the “gender ideology”, with propaganda about apparent “scientific” research into gender. This is not new.
Homophobia was one of the hooks the Nazis used to win over religious sectors. Magnus Hirschfield’s theory of the “third sex” and his books on homosexuality and transgender were attacked. Hirschfield’s Institute for Sexual Research was the target of homphobic attack. Its administrator Kurt Hiller was sent to a concentration camp in March 1933 and on May 6 the building was occupied and its archives, photos, and library were confiscated to be burned in the famous book-burning of May 10, 1933.xx
The bonfire linked the “judeo-bolshevik conspiracy” and the third sex. Homophobia played a mobilizing role in the bonfire and in the concentration camps. The annihilation of the third sex occurred alongside the extermination of communists, unionists, Jews and Roma – the extermination of the enemy. The state apparatus, from its perch in the universities to its gas chambers, was rooted in the “people’s Being” directed by its leader.
The ultra-right of the 21st century, especially in Latin America, has rediscovered the role of homophobia. The struggle against “gender ideology” was embedded in the “No” vote against the Colombian peace accords and has moved millions of votes from Brazil to the US, including Costa Rica, where an important group of churches joined these homophobic manipulations with enthusiasm.
The manipulation of religion by the ultra-right is not limited to homophobia. For more than one hundred years the right has developed a theology of war. The spread of Wahhabism in the Muslim world has served as the basis for Al Qaeda and the Islamic State, and the “dispensationalism” of Cyrus Scofield has played a role in the West in creating a war theology, nourishing militarism on the evangelical right-wing.
The Islamic State is apocalyptic: it is preparing for the final battle of history, in which Jesus and the Mahdi will fight alongside them. “Dispensationalism” also views war in the Middle East as anticipation of Armageddon and considers US support for Israel part of a divine plan. The faithful expect to be transported directly to heaven before seven years of great disasters, at the end of which will occur the great battle of Armageddon, when Jesus will return to defend Israel.xxi
As the Nazis struggled against the conspiracy outlined in the “protocols of the elders of Zion”, the Latin American ultra-right struggles against the conspiracy of the Forum of Sao Paolo, which they believe wishes to impose communism and homosexualism. Bolshevism, however, has changed: it is no longer a Jewish conspiracy but the source of conspiracy, since Israel is now an ally and the Palestinians the enemy.
The ultra-right of the Americas is diverse, but its common symbols and leaders are always anti-communist, loyal to the US, and loyal to the transnational corporations. Under these three principles, religious fundamentalism can easily co-exist with the debauched life of Donald Trump. The white supremacists of the US are not in agreement among themselves about anti-Semitism. But the Klan and the neo-Nazis continue to co-exist and to coordinate on common projects like the wall on the border with Mexico.
The ultra-right in Europe is more divided. There are anti-EU and pro-EU ultra-rightists. There is one anti-Semitic right and another Islamophobic right. In Israel, the extermination of Palestinians signals fascism; in Islamic countries it’s Wahhabism; in India it is Hindu supermacy and there is even a Buddhist right-wing in Thailand and Burma. All of the ultra-rights deny our common humanity, are xenophobic and racist, homophobic and enemies of human rights and of international law.
Not every ultra-right is fascist. Several have given rise to diverse Bonapartes,xxiixxiii whether by electoral movements or by military-parliamentary-or judicial coups. Laws and repressive means strengthen state oppression, but fascism is not simply the repression of the system towards its enemies. The triumph of fascism is a qualitative change. xxivxxv
For fascist regimes to establish themselves it is not sufficient for there to be a fascist party, nor is it sufficient that the president be a fascist. Fascism requires a mass movement that is capable of smashing the organizations of workers and of minorities, and capable of supporting perpetual wars. Fascism in the 21st century is reaching that point.
It is time to resist.
iBAUER, Otto (1936) Zwischen zwei Weltkriegen?. Bratislava: Eugen Prager Verlag, p. 136.
ii HUNTINGTON, Samuel 1997 O Choque das Civilizações e a recomposição da ordem mundial. Rio de Janeiro: Editora Objetiva.
iii HUNTINGTON, Samuel 2004. ¿Quiénes somos?: los desafíos a la identidad nacional estadounidense. Barcelona: Paidós Ibérica.
iv MANDEL, Ernest (1969) El Fascismo. Revolta Global, p.10.
v POULANTZAS, Nicos (1970) Fascismo e Ditadura. Porto: Portucalense, 1972, p. 13.
vi DIMITROV, Jorge (1935) “La ofensiva del fascismo y las tareas de la Internacional Comunista en la lucha por la unidad dela clase obrera contra el fascismo”; Informe ante en VII Congreso Mundial de la Internacional Comunista, 2 de agosto de 1935. Selección de trabajos. Buenos Aires: Estudio, 1972.
vii HITLER, Adolf (1932) “The Dusseldorf Speech of 1932”; C N Trueman editor. The History Learning Site, 22 May 2015.
viii BUCHHEIM, Christoph and Jonas SCHERNER (2006).”The Role of Private Property in the Nazi Economy: The Case of Industry”. The Journal of Economic History 66(2) 390-416 (406). Cambridge University Press.
ix BEL, Germà (13 de noviembre de 2004). “Against the mainstream: Nazi privatization in 1930s Germany”. Universitat de Barcelona i ppre-IREA.
x BORKENAU, Franz (1936) Pareto. New York: John Wiley & Sons, p.40.
xi HARVEY, David (2004) “El ‘nuevo imperialismo’: acumulación por desposesión”; Leo Pantich & Colin Leys (Ed.) El nuevo desafío imperial, p.p. 99-129. Merlin Press-Clacso.
xii MARX, Karl (1867) El Capital, v. I, c. XXIV-XXV. Fondo de Cultura Económica, México, 1974, p.p. 607-650.
xiii See the character Attila in the film Novecento, by Bernardo BERTOLUCCI (1976).
xiv HEIDEGGER, Martin. Gesamtausgabe, 36/37, Sein und Wahrheit. 1. Die Grundfrage der Philosophie. 2. Vom Wesen der Wahrheit, Frankfurt am Main, Klostermann, 2001, éd. por Hartmut Tietjen, [GA 36/37], 90-91.
xv FAYE, Emmanuel (2005) “El derecho y la raza: Erik Wolf entre Heidegger, Schmitt y Rosenberg”. Heidegger: La introducción del nazismo en filosofía. Madrid: Akal, 2009, 2018, capítulo7.
xvi LOSURDO, Doménico 1997. “Com Gramsci, para além de Marx e Gramsci”; Crítica Marxista 3-4. Roma.
xvii DOMIZLAFF, Hans (1932) Propagandamittel der Staatsidee. Altona-Othmarschen.
xviii DOMIZLAFF, Hans (1952) Brevier für Könige. Massenpsychologisches Praktikum. Hamburg, Institut für Markentechnik, p. 208.
xx BAUER, Heike (2017). The Hirschfeld Archives: Violence, Death, and Modern Queer Culture. Temple University Press, p. 92.
xxi SIZER, Stephen (2006) Sionismo cristiano ¿hoja de ruta a Armagedón? Bósforo libros, 2009.
xxii THALHEIMER, August (1928) “Über den Faschismus”; internes Dokument der Komintern, 1928 ; Gegen den Strom, theoretischer Zeitschrift der KPD(O), 1930.
xxiii TROTSKY, Leon (1934) “Bonapartism and Fascism”; New International, 1(2): 37-38.
Saudi Arabia’s $14 billion weapons deal puts Canadian armoured vehicles on the frontlines of the war in Yemen. We are joined by ANTHONY FENTON to discuss the machinations of Canada’s junior-partner imperialism.
The US Hybrid War on China, with the Qiao Collective
I talk with a member of the Qiao Collective about the US Hybrid War on China, the sinophobic propaganda that is ramping up, including among declared leftists online, and how to go about trying to develop an understanding about China’s politics and economy in the face of pervasive war propaganda.
Because the world didn’t end last week, I’ve recorded another video. After a quick roundup of what happened since the US assassination of Iranian general Qasem Soleimani, I spend some time talking about how to deal with pro-war diasporas who say things like: “I’m Iranian and I support this war, and so should you.”
The Ossington Circle Episode 35: The Turkish Invasion of Northern Syria with Sardar Saadi
I talk to friend and Kurdish Edition podcaster Sardar Saadi about the Turkish invasion of Syrian Kurdistan in October 2019, the brutality of Erdogan’s assault on the Kurds, the impossible dilemmas faced by the Kurds in the complex Syrian and regional war(s), and the role of the Empire in all of it.
The Ossington Circle, Episode 33: Grounded Authority – The Algonquins of Barriere Lake Against the State, with Shiri Pasternak
I talk to Shiri Pasternak, Research Director at the Yellowhead Institute and author of Grounded Authority: The Algonquins of Barriere Lake Against the State. We cover Indigenous authority, jurisdiction, sovereignty, solidarity, and Canada’s coups d’etat in Indian Country.
Tarantino’s mastery seems to be in reading the mood and making a movie for it. His latest movie is perfect for the Trump era, based as it is in nostalgia for a racially homogeneous Hollywood.
The genre for Once Upon a Time… forces some choices on both the storyteller and the audience. The movie treats the day that actor Sharon Tate was murdered by followers of Charles Manson, but it reverses that murder and ends with Sharon and friends having a nice drink in her house after the would-be murderers have been eaten by a dog, bashed in on various surfaces of a house, and incinerated by flamethrowers. But the whole hook of the movie is its ability to evoke the Hollywood of 1969, which Tarantino clearly wants us to think was a good time. So, which parts of it were real and which were changed? These were the decisions Tarantino made, the consequences of which moviegoers have to suffer.
Here’s one decision I was wondering about. Since all the protagonists were white, did they not use casual racial slurs in their conversations with one another back then? They certainly are vitriolic towards the “f#@in hippies”. But I didn’t hear them use the n-word even once. No anti-Semitism among these paragons either. At Manson’s ranch, one of the villains, “Squeaky”, or “the red-head” tells Brad Pitt’s character that she “doesn’t want to be gypped” of her time watching TV with George, the ranch’s mostly incapacitated owner. “Gypped” is a racist term that implies that gypsies, or Roma, are thieves. Like the Jews, the Roma were targeted for extermination in the Nazi Holocaust, and indeed, the term “gypped” is used interchangeably with “jewed” by racists. Tarantino inserted the word “gypped”, presumably to add some verisimilitude about the casual racism with which people talked back then. So why no casual anti-Black racism or anti-Semitism, which was also the coin of the realm at the time? Tarantino used to do that, with anti-Black racism at least: Reservoir Dogs is full of n-bombs dropped by the white cast, in all kinds of shameful ways, with deniability for the storyteller to say, hey, I’m not racist, my characters are.
Aside from the protagonists’ hatred of the “f#@in hippies”, the film is all about not showing you anything of the 1960s social movements against the Vietnam War, the effects of the Civil Rights movement, the Black Panthers — or even the East L.A. Walkouts of 1968 or the Watts riots of 1965. The only mention of that context is when one of the Manson-following villains (played by Margaret Qualley), trying to seduce Pitt’s character (a Vietnam veteran), says that “real people are dying in Vietnam”. One of the would-be killers, who gets incinerated by Leonardo Di Caprio, delivers a critique of media violence before her attempted murder and elaborate death. 1969 Hollywood was a better, cleaner place, Tarantino is saying, with the only encroachments on this purity coming via a death cult of “f#@in hippies” (not via any real Black people or people with genuinely held anti-racist values).
On the theme of purity, Tarantino’s camera worships Margot Robbie’s angelic character, Sharon Tate, lingering on her golden hair, her pristine white boots and her beautiful smile as she dances and enjoys the audience reaction to her acting (a significant amount of the movie’s runtime is of Sharon Tate watching her own movie — which means a significant amount of the audience’s time is actually spent watching someone watch a movie). The camera follows Robbie (and Qualley in a different way, since she’s a bad) the way you’d see in a Michael Bay movie or a James Bond film, with Robbie as the good Bond girl and Qualley as the bad one.
And on Bond films: if Once Upon a Time… were a Bond film, the superspy role would go to Brad Pitt’s character, Vietnam veteran and possible wife-murderer Cliff Booth. And the main way we know of Cliff’s superpowers is by way of an encounter with Bruce Lee — for me, the most insulting part of this insulting film.
Bruce Lee is portrayed as a fan of Muhammad Ali, which of course he was. Bruce’s philosophy was to learn about fighting from every possible source. At that time, Muhammad Ali was displaying attributes and skills to astound anyone, but even more so a student of martial arts like Bruce. A story known by every Bruce Lee fan:
Another time Yeung, aka [Bolo] went to see Bruce at Golden Harvest Studios. Bruce was screening a Cassius Clay [Muhammad Ali] documentary. Ali was world heavyweight champion at the time and Bruce saw him as the greatest fighter of them all. The documentary showed Ali in several of his fights. Bruce set up a wide full-length mirror to reflect Ali’s image from the screen. Bruce was looking into the mirror, moving along with Ali.
Bruce’s right hand followed Ali’s right hand, Ali’s left foot followed Bruce’s left foot. Bruce was fighting in Ali’s shoes. “Everybody says I must fight Ali some day.” Bruce said, “I’m studying every move he makes. I’m getting to know how he thinks and moves.” Bruce knew he could never win a fight against Ali. “Look at my hand,” he said. “That’s a little Chinese hand. He’d kill me.”
Bruce was a keen teacher, and a great showman (see the videos of his martial arts demonstrations), but he was no braggart and he spent all his time picking apart and analyzing fighting methods, practicing them, and teaching them to others. So, of course, Tarantino portrays him exactly as a loudmouth braggart and a bully, who picks a fight with Brad Pitt’s strong, silent character on a set. The fight starts when this cartoon Bruce (in direct defiance of what the real Bruce believed and said) tells someone that he would turn Muhammad Ali “into a cripple” if they fought — this, Brad Pitt’s character cannot abide. So Bruce — who in real life reluctantly accepted challenges on-set from blowhards (ie., who was much more like Pitt’s character was portrayed) — fights Cliff, who gives the foreign braggart a good old-fashioned American beating.
In the real world, Bruce Lee faced a glass ceiling in the racist Hollywood of the time, despite his extraordinary gifts. Playing Kato in the Green Hornet, the story goes that Bruce refused the plan in a crossover episode to have his character defeated by Batman’s sidekick, Robin. No one would have believed it. Screenwriters changed the fight to a draw.
So, how would Brad Pitt’s character, a stuntman and Vietnam veteran, have approached a fight with Bruce? Presumably he would have been trained in the Army Combatives system at the time — a system Bruce knew and studied. Maybe Cliff also even knew American boxing and wrestling — which would have been no surprise to Bruce, who taught American students with these backgrounds. So, would Bruce have opened with a lot of fancy movement and kiai sounds and a flying sidekick, like he does in the movie? Would he have done that same kick after challenged by Cliff to do it again? What we know of how Bruce behaved in sparring situations says no (look at this YouTube MMA analyst’s breakdown of a sparring session). Nor would Bruce have reacted to Cliff’s attacks with stunned surprise: he was an experienced fighter who would have seen it all before.
It gets worse. Because in the fight choreography Tarantino chose for the scene, Pitt’s character actually uses wing-chun style close-quarters hand-fighting for a portion of the fight (this was the first style Bruce studied before developing his own). Pitt’s stance and movement incorporate moves that were introduced to North America by (the real) Bruce Lee, who did a lot to change and improve both real martial arts training and fight choreography. While disparaging the real Bruce, Tarantino freely uses his martial arts to make his movie look cool.
In the end, Bruce is just a stepping stone, a foreigner whose fancy moves are no match for the all-American hero, a foil to show the invincibility of the white protagonist. The very role the real Bruce chafed against his entire career.
There’s more to say about the class dynamics of the movie, the way in which Pitt’s working class character knows his place and is uncritically loyal and ever-grateful to Di Caprio’s upper class character. But I’ll leave that for someone else. I’ll just say that while this movie rewrites a gruesome murder and spares the actual victims, it is also an attempted murder on, among other historical realities, the real Bruce Lee.
